초록 열기/닫기 버튼

This study analyzed the Han's work The Silence of Love from the view of chaosmos theory. The chaosmos and cosmos exist in a mix like the head and tail of a coin. The ‘love' and ‘I' in the Silence of Love has chaosmic features that cannot be defined as one meaning, and they resonate or reverberate to each other in various meanings. Like the Sanskrit syllables ‘DA' and ‘OM' previously discussed, they resonate through not only the relationship between ‘love' and ‘I' but also through the relationship between the readers and the work, and the work and the author as well. At the same time, the study clarified that not only the ‘love' in Han's poem but the ‘I', the poetic narrator, is a chaosimic self as well. The word, ‘self' in here does not stand for certain ‘self' of self-oriented, unique and limited but stands for the chaosmic self of uncertainty, difference, flexibility and complexity, and the situations including the relationship between ‘love' and ‘I' in the text of Han's poem describes those aspects. On the other hand, from individual works of Han's, it could be observed the concept of the nature as self-organizing and the organicism which represents that everything in the space are very equally and closely connected. This study has a meaning in that it attempted to find the eco-poetic possibilities of resonance focusing on the chaosmic ‘love' which is the bracket itself rather than defining the identity of the ‘love' in the bracket.