After the cold war, nationalism has more emerged since the 2000's. This situation is more and more intensified in not only Korea but also Japan and China. So it is reality that history dispute of adjacent east north asia countries is serious. Firstly, this article investigated where nationalism is placed in 2000's topographical map.Through doing this, this article will focus on history drama made in this period as example of cultural marketing by nationalism. As we know, the drama of histiry is a kind of alternative when nationalism of all of the world as well as Korea, China and Japan is being intensified. This means that history drama can reproduce past history and remake what we want. Of course this alternative is corrupted and escape. However, it is successful strategy that marketing of history drama promoting nationalism catch the sense of the times and correspond requirement of the times. <TaeWangSaShinGi> is significant text as a milestone that remind meaning of ‘history’ and ‘nation’ in recent culture and a genre of new ‘history drama’. But there is no history and nation in <TaeWangSaShinGi>. <TaeWangSaShinGi> lost historical particularity because of an arbitrary interpretation. Emphasis of ‘nation’ is just national marketing. <TaeWangSaShinGi> wear a mask of history drama but this drama is just fusion of modern trend and image of multinational legend. So, This is a matter of grave concern that <TaeWangSaShinGi> came into spotlight. Modern people consume and memorize ‘history’ through not history book but mass media. Therefore, history drama should consider a kind of healthy responsibility when drama talk about history to people.

After the cold war, nationalism has more emerged since the 2000's. This situation is more and more intensified in not only Korea but also Japan and China. So it is reality that history dispute of adjacent east north asia countries is serious. Firstly, this article investigated where nationalism is placed in 2000's topographical map.Through doing this, this article will focus on history drama made in this period as example of cultural marketing by nationalism. As we know, the drama of histiry is a kind of alternative when nationalism of all of the world as well as Korea, China and Japan is being intensified. This means that history drama can reproduce past history and remake what we want. Of course this alternative is corrupted and escape. However, it is successful strategy that marketing of history drama promoting nationalism catch the sense of the times and correspond requirement of the times. <TaeWangSaShinGi> is significant text as a milestone that remind meaning of ‘history’ and ‘nation’ in recent culture and a genre of new ‘history drama’. But there is no history and nation in <TaeWangSaShinGi>. <TaeWangSaShinGi> lost historical particularity because of an arbitrary interpretation. Emphasis of ‘nation’ is just national marketing. <TaeWangSaShinGi> wear a mask of history drama but this drama is just fusion of modern trend and image of multinational legend. So, This is a matter of grave concern that <TaeWangSaShinGi> came into spotlight. Modern people consume and memorize ‘history’ through not history book but mass media. Therefore, history drama should consider a kind of healthy responsibility when drama talk about history to people.