이 논문은 18세기 한시작가인 徐命寅(1725～1802)의 시집 『取斯堂煙華錄』을 새로 발굴하여 거기에 실린 <南都事十解> 3부작을 비롯한 樂府詩를 분석하였다. 서명인은 현재 완전히 망각된 시인으로 그동안 학계에 전혀 알려지지 않았으나 대단히 흥미로운 작품을 다수 창작하였다. <남도사십해>는 ‘南都事를 읊은 열 편의 노래’라는 의미로 5言 4句 10수의 작품으로 구성되었다. 이 작품은 1759년에 南徽와 그의 소실이 된 비구니의 사랑을 노래한 연작가사 『僧歌』를 제재로 창작하였다. 여성을 話者로 하여 사랑에 노출된 여성의 심리를 노래했다. 한편, 서명인은 <남도사십해>와 똑같은 형식으로 <즐거움의 노래[樂行]>를 지어 연애에 성공하여 사랑의 즐거움을 나누는 상황을 묘사했고, <원망의 게송[怨偈]>을 지어 남자의 변심으로 인한 여인의 원망을 묘사하였다. 세 작품은 『僧歌』를 바탕으로 창작한 3부작이다. 이렇게 서명인은 대중에게 널리 유포된 국문시가를 제재로 삼아 악부시를 창작하였는데 유명한 시조를 재창작한 <范蝶謠>와 <노처녀가>를 제재로 한 <女夜> 4수도 같은 성격의 작품이다. 이런 시도는 18세기 한시사와 시가사에서 주목할 만한 현상이다.

This paper introduces a collection of poems by Seo Myeong-in(1725～1802) called Chuisadang'yeonhwarok and analyzes his works such as serial poems named Namdosasip'hae and the Akbu(Musical Poems). Seo Myeong-in is presently a forgotten poet but his collection of poems includes very interesting works. Namdosasip'hae consists of ten poems with a meaning of 'ten songs reciting Namdosa' and each of them is a quatrain with five syllables in each line. This work takes a serial gasa(narrative poem) called Seungga(Monk's Song) dealing with love between Nam Hui and nun(who became his concubine) as a subject matter. These poems sings the inner state of woman who falls in love through the voice of female speaker. Meanwhile, Seo Myeong-in describes the situation of love affair and enjoyment of loving through the work, Song of Enjoyment, which is taking the same form of Namdosasip'hae and depicts man's betrayal and woman's resentment through the work, Song of Grudge. These three works were a trilogy based on the Seungga(Monk's Song). Seo Myeong-in enjoyed composing Akbu(Musical Poems) taking subject matters from the popular song in Hangul(Korean Alphabet) and created four poems called Woman's Song, taking subject matters from Beomjeop'yo and Nocheo'nyeoga, which were recreations of the popular sijo(short lyric song). This kind of attempt is worthy of notice in the 18th century's Korean Chinese poetry history and Korean poetry and song history.

This paper introduces a collection of poems by Seo Myeong-in(1725～1802) called Chuisadang'yeonhwarok and analyzes his works such as serial poems named Namdosasip'hae and the Akbu(Musical Poems). Seo Myeong-in is presently a forgotten poet but his collection of poems includes very interesting works. Namdosasip'hae consists of ten poems with a meaning of 'ten songs reciting Namdosa' and each of them is a quatrain with five syllables in each line. This work takes a serial gasa(narrative poem) called Seungga(Monk's Song) dealing with love between Nam Hui and nun(who became his concubine) as a subject matter. These poems sings the inner state of woman who falls in love through the voice of female speaker. Meanwhile, Seo Myeong-in describes the situation of love affair and enjoyment of loving through the work, Song of Enjoyment, which is taking the same form of Namdosasip'hae and depicts man's betrayal and woman's resentment through the work, Song of Grudge. These three works were a trilogy based on the Seungga(Monk's Song). Seo Myeong-in enjoyed composing Akbu(Musical Poems) taking subject matters from the popular song in Hangul(Korean Alphabet) and created four poems called Woman's Song, taking subject matters from Beomjeop'yo and Nocheo'nyeoga, which were recreations of the popular sijo(short lyric song). This kind of attempt is worthy of notice in the 18th century's Korean Chinese poetry history and Korean poetry and song history.

Seo Myeong-in, Chuisadang'yeonhwarok, Seungga, Namdosasip'hae, Nocheo'nyeoga