초록 열기/닫기 버튼

In this writing, issued beauty as Hyangga(향가) creative motivation into the focus, its expression modality is discussed and then an aesthetic sense of Sil-la is considered. For its research, in 『Samkukyusa』(『삼국유사』) some Hyangga - <Sudongyo(서동요)>, <Hunhwaga(헌화가)>, <Mojoockjirangga(모죽지랑가)>, <Chuyongga(처용가)> - that have phraseologies for beauty meaning are choose for the discuss. First, beauty as Hyangga(향가) creative motivation were expressed by above methods. 1. Beauty as desires for acquisition and confirmation in <Sudongyo(서동요)> 2. Beauty that the subject (the writer) looked upon in <Hunhwaga(헌화가)> 3. Beauty that felt pathetic for declining in <Mojoockjirangga(모죽지랑가)> 4. Beauty that arouse from disillusion in <Chuyongga(처용가)> Second, an aesthetic sense of Sil-La in 『Samkukyusa』(『삼국유사』) showed as the above. 1. Physical beauty that Sil-La were attracted by 2. Beauty as the glorified object that Sil-La were attracted by 3. Beauty as the virtue notion that Sil- La were attracted by In consequence, it is discussed that Sil-La had an aesthetic sense as the perfect virtue united the transcendence and the real


In this writing, issued beauty as Hyangga(향가) creative motivation into the focus, its expression modality is discussed and then an aesthetic sense of Sil-la is considered. For its research, in 『Samkukyusa』(『삼국유사』) some Hyangga - <Sudongyo(서동요)>, <Hunhwaga(헌화가)>, <Mojoockjirangga(모죽지랑가)>, <Chuyongga(처용가)> - that have phraseologies for beauty meaning are choose for the discuss. First, beauty as Hyangga(향가) creative motivation were expressed by above methods. 1. Beauty as desires for acquisition and confirmation in <Sudongyo(서동요)> 2. Beauty that the subject (the writer) looked upon in <Hunhwaga(헌화가)> 3. Beauty that felt pathetic for declining in <Mojoockjirangga(모죽지랑가)> 4. Beauty that arouse from disillusion in <Chuyongga(처용가)> Second, an aesthetic sense of Sil-La in 『Samkukyusa』(『삼국유사』) showed as the above. 1. Physical beauty that Sil-La were attracted by 2. Beauty as the glorified object that Sil-La were attracted by 3. Beauty as the virtue notion that Sil- La were attracted by In consequence, it is discussed that Sil-La had an aesthetic sense as the perfect virtue united the transcendence and the real