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This thesis aims to investigate the interrerationship between cultural strategies of postcolonialism and the forms of parody by combining its theoretical criticism and practical criticism. The results of this study are summarized in the following: First, this thesis investigates not only the common point between postcolonialism and poststructuralism but also that between postcolonialism and postmodernism. Second, it investigates the types of interreration between cultural strategies of postcolonialism and the forms of parody. The types are summarized in the following: 1) Decolonization and homology as a form of parody; trasformation as a form of parody with counter-identifition discourse 2) Appropriation and trasformation as a form of parody with disidentifition discourse 3) Write Back and counter form as a form of parody with counter- identifition discourse 4) Abrogation and no parody with counter-identifition discourse In conclusion, it is claimed that cultural strategies rerated with parody are more effective than cultural strategies not rerated with parody.


This thesis aims to investigate the interrerationship between cultural strategies of postcolonialism and the forms of parody by combining its theoretical criticism and practical criticism. The results of this study are summarized in the following: First, this thesis investigates not only the common point between postcolonialism and poststructuralism but also that between postcolonialism and postmodernism. Second, it investigates the types of interreration between cultural strategies of postcolonialism and the forms of parody. The types are summarized in the following: 1) Decolonization and homology as a form of parody; trasformation as a form of parody with counter-identifition discourse 2) Appropriation and trasformation as a form of parody with disidentifition discourse 3) Write Back and counter form as a form of parody with counter- identifition discourse 4) Abrogation and no parody with counter-identifition discourse In conclusion, it is claimed that cultural strategies rerated with parody are more effective than cultural strategies not rerated with parody.