이 연구의 목적은 韓國 모더니즘 詩에서의 感受性과 詩的 이미지의 相關性을 金起林의 경우를 중심으로 고찰하는 데 있다. 金起林은 近代 都市文化 受容의 衝擊으로 인한 感受性을 독특한 詩的 技法으로 形象化하고 있는데, 그 기저에는 ‘鬱火’의 感情이 자리하고 있다. 韓國 모더니즘 詩에 관한 연구들은 繪畵的 特性이나 詩的 이미지에 注目하였던 것에 반하여, 그러한 形象化 方式에 介入되어 있는 感受性에는 별반 주목하지 않았다. 본고는 그러한 연구경향에 대한 비판적 검토의 일환으로, 金起林의 詩 創作에 개입되어 있는 感受性을 해명하기 위해 ‘鬱火’의 感情을 憂鬱症의 發顯科程과 比較하여 살피고자 하였다. 이러한 검토를 통하여, 金起林의 詩的 認識은 詩的 形象化 方式과 밀접한 相關性을 갖고 있음을 보였다. 특히, 본고에서는 金起林 시에서 엿보이는 自動的 思考, 近代 이미지의 歪曲된 形象化를 우선적으로 지적하고 있다.

This study aims at examining the correlation between sensitivity and poetic images focusing on Kim Ki-Rim's poetry. Kim configures in a unique poetic technic susceptibility caused by the shock from accepting modern city culture, underlying which the feeling of ‘pent-up anger' resides. While studies on Korean modernistic poetry have generally paid attention to pictorial characteristics or poetic images, they have paid little attention to susceptibility by which those characteristics and images are configured. As one of the critical considerations of such approaches, Here I compares the feeling of ‘pent-up anger' with the process of the appearance of depression in order to explain the susceptibility related to Kim's creating his poets. Through this consideration, it is revealed that what triggered his depressional susceptibility was caused by his negative recognition on modernization. Such perception of Kim's is correlated closely with poetic configuration and this study points out first automatic thinking and distorted configuration of modern images presented in his poetry.

This study aims at examining the correlation between sensitivity and poetic images focusing on Kim Ki-Rim's poetry. Kim configures in a unique poetic technic susceptibility caused by the shock from accepting modern city culture, underlying which the feeling of ‘pent-up anger' resides. While studies on Korean modernistic poetry have generally paid attention to pictorial characteristics or poetic images, they have paid little attention to susceptibility by which those characteristics and images are configured. As one of the critical considerations of such approaches, Here I compares the feeling of ‘pent-up anger' with the process of the appearance of depression in order to explain the susceptibility related to Kim's creating his poets. Through this consideration, it is revealed that what triggered his depressional susceptibility was caused by his negative recognition on modernization. Such perception of Kim's is correlated closely with poetic configuration and this study points out first automatic thinking and distorted configuration of modern images presented in his poetry.

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Modernist Poetry, Susceptibility, Image, Kim Ki-Rim, Depression, Modernization, City culture