This paper is a study on aspects of adaptation Yi-Hae-Jo’s <Gu-Ui-San> from <Cho-Saeng-Won-Jeon>. Yi-Hae-Jo’s <Gu-Ui-San> become known as adaptation of <Gim-Ssi-Yeol-Haeng-Log>. But Yi-Hae-Jo’s <Gu-Ui-San> is adaptation of <Cho-Saeng-Won-Jeon>. Because <Gim-Ssi-Yeol-Haeng-Log> was published from 1919 to 1954. But Yi-Hae-Jo’s <Gu-Ui-San> was published serially in 「Maeil-Sinbo」 from June. 22, 1911 to Sept. 28, 1911. And narrative structure of <Gu-Ui-San> is similar to <Cho-Saeng-Won-Jeon>. Also <Cho-Saeng-Won-Jeon> was appeared in the 19th century. Therefore <Gu-Ui-San> is adaptation of <Cho-Saeng-Won-Jeon>. Yi-Hae-Jo criticized Classical-Novels such as <Chun-Hyang-Jeon><Sim-Cheong-Jeon><Hong-Gil-Dong-Jeon> in <Ja-Yu-Jong>. But Yi-Hae-Jo was reader of Classical-Novels and interested in Pan-So-Ri. This was proved in his <Hong-Do-Hwa><Bag-Jeong-Hwa><Ja-Yu-Jong><Hwa-Se-Gye><Hwa-Ui-Hyeol>. <Cho-Saeng-Won-Jeon> is Classical-Novels that style of Pan-So-Ri. Therefore Yi-Hae-Jo was able to adapt <Cho-Saeng-Won-Jeon> and publish <Gu-Ui-San> serially in 「Maeil-Sinbo」. Narrative structure of <Gu-Ui-San> is similar to <Cho-Saeng-Won-Jeon>. But Narrative structure of <Gu-Ui-San> is not completely correspond with <Cho-Saeng-Won-Jeon>. Contrary to <Cho-Saeng-Won-Jeon>, reversal is appeared continuously and female character act realistically and substantially in <Gu-Ui-San>. These aspects of adaptation appear Yi-Hae-Jo’s consciousness of adaptation. Yi-Hae-Jo desire well balanced existence of family and growth of female’s self-consciousness. Since the end of serial <Gu-Ui-San> was seventh published in book form. So Yi-Hae-Jo’s <Gu-Ui-San> is popular work. Popularity of <Gu-Ui-San> serve as a momentum appearance of <Gim-Ssi-Yeol-Haeng-Log>. And since the end of serial <Gu-Ui-San>, Yi-Hae-Jo produce works that was connected Classical-Novels such as <Ok-Jung-Hwa><Gang-Sang-Lyeon><Yeon-Ui-Gag><To-Ui-Gan><So-Yang-Jeong><Tan-Geum-Dae><Bong-Seon-Hwa><Hong-Jang-Gun-Jeon><Han-Ssi-Bo-Eung-Log><Gang-Myeong-Hwa-Jeon><Gang-Myeong-Hwa-Sil-Gi>. These phenomenon reflect popularity of Classical-Novels in the 1910s and 1920s.

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Yi-Hae-Jo, <Gu-Ui-San>, <Cho-Saeng-Won-Jeon>,<Gim-Ssi-Yeol-Haeng-Rog> domestic-novel, adaptation,reversal, female’s self-consciousness, 1910s and 1920s,popularity