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재자가인소설은 중국 明末淸初에 대량으로 출현한 戀愛婚談 소설을 가리킨다. 천화장주인은 재자가인소설의 대표적인 작가로 재자가인소설의 선하라고 할 수 있는 玉嬌梨를 비롯하여 10여 종의 작품을 써냈다. 그러나 재자가인소설은 천화장주인 작품뿐만 아니라 모든 작품들이 천편일률적이라는 평을 받고 있다. 따라서 본문은 이러한 재자가인소설의 서사구조에 있어서 플롯의 전개방식과 제재의 운용 등을 천화장주인의 소설작품을 통해 분석 정리함으로써 재자가인소설에 대한 평가근거를 조명해 보고자 했다.


Caizi Jiaren xiaoshuo(A Wit and A Beauty Novels) was the kind of novels dealing with love and marriage between men and women and it was flooded massively in the end of Ming(明) Dynasty to the early years of Qing(淸) Dynasty in the Chinese history. Tianhuacang Zhuren, the representive writer in the Caizi Jiaren xiaoshuo, wrote more than 10 novels including Yujiaoli(玉嬌梨), the best in the genre. Unfortunately, It is said that all the Caizi Jiaren xiaoshuo including Tianhuacang Zhuren's works are just alike in the plot, story, and characters. The Text shows the standard of the evaluating by analyzing the plot and theme of Tianhuacang Zhuren's works in the Narrative Structure of Caizi Jiaren xiaoshuo. Yujiaoli, one of the early-stage works in the end of Ming Dynasty to the early years of Qing Dynasty, has been estimated as a successful one with its creativity of a plot and theme. However, the general plot of Tianhuacang Zhuren's works just follows that of Yujiaoli(玉嬌梨) without attempting any change. It makes this kind of novels have the specific formulas such as the status of uniformed characters, an encounter between main characters, a pledge to the end of life, the success of male character in the civil service examination, and the marriage carried out by command of a king or an emperor. Furthermore, The monotonous plot makes the readers easily predict the next situations of the story without any analysis. All factors like above degrade the artistic quality of the works. Consequently, in the text, Cao Xueqin points out A Wit and A Beauty Novels(Caizi Jiaren xiaoshuo) are all alike because the writers never show their creativity in their works just following the frame of Yujiaoli(玉嬌梨). A Wit and A Beauty Novels(Caizi Jiaren xiaoshuo) were a literature that existed as the non-mainstream novels for a short period, from the end of the Ming Dynasty to the early years of Qing Dynasty, not surviving to the next generation.


Caizi Jiaren xiaoshuo(A Wit and A Beauty Novels) was the kind of novels dealing with love and marriage between men and women and it was flooded massively in the end of Ming(明) Dynasty to the early years of Qing(淸) Dynasty in the Chinese history. Tianhuacang Zhuren, the representive writer in the Caizi Jiaren xiaoshuo, wrote more than 10 novels including Yujiaoli(玉嬌梨), the best in the genre. Unfortunately, It is said that all the Caizi Jiaren xiaoshuo including Tianhuacang Zhuren's works are just alike in the plot, story, and characters. The Text shows the standard of the evaluating by analyzing the plot and theme of Tianhuacang Zhuren's works in the Narrative Structure of Caizi Jiaren xiaoshuo. Yujiaoli, one of the early-stage works in the end of Ming Dynasty to the early years of Qing Dynasty, has been estimated as a successful one with its creativity of a plot and theme. However, the general plot of Tianhuacang Zhuren's works just follows that of Yujiaoli(玉嬌梨) without attempting any change. It makes this kind of novels have the specific formulas such as the status of uniformed characters, an encounter between main characters, a pledge to the end of life, the success of male character in the civil service examination, and the marriage carried out by command of a king or an emperor. Furthermore, The monotonous plot makes the readers easily predict the next situations of the story without any analysis. All factors like above degrade the artistic quality of the works. Consequently, in the text, Cao Xueqin points out A Wit and A Beauty Novels(Caizi Jiaren xiaoshuo) are all alike because the writers never show their creativity in their works just following the frame of Yujiaoli(玉嬌梨). A Wit and A Beauty Novels(Caizi Jiaren xiaoshuo) were a literature that existed as the non-mainstream novels for a short period, from the end of the Ming Dynasty to the early years of Qing Dynasty, not surviving to the next generation.