본고는, 남옥(南玉:1722～1770)의 사행록 일관기(日觀記)를 대상․보기․쓰기의 세 가지 코드로 고찰하고, 그 특징와 의의를 밝힌 논문이다. 남옥은 계미사행(1763～1764)의 제술관(製述官)으로서 자부심과 사명의식을 가지고 있었다. 일관기는 그 문학적 산물이다. 우선, 그는 일본에 대해 종합적 관심을 가지고 일본에 관한 모든 것을 기록하였다. 그러면서도 문학 자체를 화제로 삼거나 문학으로 교류한 일본인들 이름을 낱낱이 기록하는 등 문(文)에 대한 관심을 집중적으로 표출하였다. 둘째, 그는 기본적으로 화이(華夷) 의식을 가지고 있었다. 그러나 개별적인 사안에 따라 이성적인 거리를 두고 대상을 평가하고 우리 자신을 냉정하게 돌아보았다. 이것은 문학․학술․예술 방면에서 특히 뛰어나다. 셋째, 일관기의 구성은 방대하되 체계적이며, 기록은 치밀하되 절제되어 있다. 그것이 취하고 있는 서술 방식은 체험과 정보를 가장 효과적으로 전달하기 위한 합리적인 고안이다. 일관기는 사행록으로서 체험을 기록하는 방식 자체로도 의의가 있으며, 그 시각과 정신은 조선후기 정신사에 새로운 전환을 가져오는 데에 일조하였다.

This thesis aims to examine on Il-kwan-ki(日觀記) which was written by Nam-Ok(南玉:1722~1770) using the key codes of 'object', 'seeing' and 'writing' and to clarify its characteristics and significances. As a writer(Che-sul-kwan:製述官) for Kye-mi-sa-haeng(癸未使行1763~ 1764), Nam-Ok had a self-conceit and a sense of duty. Il-kwan-ki(日觀記) is the literary product in that period. First of all, he was concerned about Japan on the whole and made a record all about what he observed in Japan. And his concern on literature was shown in the facts that he made literature itself the topic subject in his writing and that he made a record the names of companies whom he associates with literature in details. Second, basically his thought was Sinocentric, but in any case, judging its objects and reflecting ourselves as Korean, he took a rational and objective attitude. We can find the excellence in this respect, especially in the area of literature, arts and sciences. Third, despite its richness in contents, the composition of Il-kwan-ki(日觀記) is systematic and its style is elaborate and concise. Its form of describing is designed to convey the information and his experience to his audiences effectively. Being an envoy's record on visiting other country, Il-kwan-ki(日觀記) has the significance as another way of recording one's experience. And it is regarded to contribute to bring a turning point in the history of the thoughts in the latter period of Choseon Dynasty.

This thesis aims to examine on Il-kwan-ki(日觀記) which was written by Nam-Ok(南玉:1722~1770) using the key codes of 'object', 'seeing' and 'writing' and to clarify its characteristics and significances. As a writer(Che-sul-kwan:製述官) for Kye-mi-sa-haeng(癸未使行1763~ 1764), Nam-Ok had a self-conceit and a sense of duty. Il-kwan-ki(日觀記) is the literary product in that period. First of all, he was concerned about Japan on the whole and made a record all about what he observed in Japan. And his concern on literature was shown in the facts that he made literature itself the topic subject in his writing and that he made a record the names of companies whom he associates with literature in details. Second, basically his thought was Sinocentric, but in any case, judging its objects and reflecting ourselves as Korean, he took a rational and objective attitude. We can find the excellence in this respect, especially in the area of literature, arts and sciences. Third, despite its richness in contents, the composition of Il-kwan-ki(日觀記) is systematic and its style is elaborate and concise. Its form of describing is designed to convey the information and his experience to his audiences effectively. Being an envoy's record on visiting other country, Il-kwan-ki(日觀記) has the significance as another way of recording one's experience. And it is regarded to contribute to bring a turning point in the history of the thoughts in the latter period of Choseon Dynasty.

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Nam-Ok(南玉), Il-kwan-ki(日觀記), Tong-shin-sa(通信使), Kye-mi-sa-haeng(癸未使行), Che-sul-kwan(製述官)