This study is to consider road or journey in Lee Yong-ak's poetry and Heo Jun's 「The Faint Light」, focused on the symbol of road as a inner form of Korean Literature in independence times. This writers made an effort for representing the meaning and impression of independence in each janre objectivly against sentimental expression. Moreover they made a inner form focused on a foreign country and a journey for returning to motherland, and then they exclued a general inspiration and excitement in independence times. Lee Yong-ak expressed their emotion for independence objectivly by moving along a journey of the people to their homeland from a foreign country, and Heo Jun pursued to represent an inner description of a scenery at a public station toward released Seoul. These aesthetic sense of modernity of Heo Jun take another meaning of the independence in Korea at that times by raising compassion like tolerant sadness be latent in human-being. On the other hand, the view of Lee Yong-ak through the political modernity or aspiration for core of world is a world of political sense in that he recognized the reality of nation. But each intention to modernity of them had not been overcome the political situation in turbidity and eventually their political direction had been toward North Korea.

This study is to consider road or journey in Lee Yong-ak's poetry and Heo Jun's 「The Faint Light」, focused on the symbol of road as a inner form of Korean Literature in independence times. This writers made an effort for representing the meaning and impression of independence in each janre objectivly against sentimental expression. Moreover they made a inner form focused on a foreign country and a journey for returning to motherland, and then they exclued a general inspiration and excitement in independence times. Lee Yong-ak expressed their emotion for independence objectivly by moving along a journey of the people to their homeland from a foreign country, and Heo Jun pursued to represent an inner description of a scenery at a public station toward released Seoul. These aesthetic sense of modernity of Heo Jun take another meaning of the independence in Korea at that times by raising compassion like tolerant sadness be latent in human-being. On the other hand, the view of Lee Yong-ak through the political modernity or aspiration for core of world is a world of political sense in that he recognized the reality of nation. But each intention to modernity of them had not been overcome the political situation in turbidity and eventually their political direction had been toward North Korea.

Lee Yong-ak, Heo Jun, road, motive, symbol, the internal form of literary