초록 열기/닫기 버튼
The purpose of this study is to review the poems of Kim So-wol from the viewpoint of play therapy and establish academic foundation on the literature therapy. To begin with, by studying the family origin of the poem composition and play, the action of play aspect upon the poem composition has been reviewed by utilizing Freud's psychoanalysis as a tool to analyze the literary works. In the body, the writer has reviewed the play therapy function of the poems of Kim So-wol in three aspects, which are women persona acting play, rhetoric play of double language of irony and paradox, and musical play of rhythm. The women persona, irony and paradox, and rhythm are typical characteristic of Kim So-wol's poem. In short, to sublimate agony in play, women persona might be proper than men persona. The double language as a rhetorical way to control the psychological fear of the poet was used as a fantastic door to get rid of the deficiency and frustration from the actual world that admitted only one among the two. In addition, rhythm is very suitable to the play that provides amusement and pleasure, which is the results of pursuing psychological sense of stability through the magical and fantastic world in the form of sound. Through these three characteristics, the writer expresses that the poet enjoyed poem composition as a play unconsciously, and by repeating the actual agony in the play, the poet enjoyed certain kinds of psychological liberation, that is, pleasure.
The purpose of this study is to review the poems of Kim So-wol from the viewpoint of play therapy and establish academic foundation on the literature therapy. To begin with, by studying the family origin of the poem composition and play, the action of play aspect upon the poem composition has been reviewed by utilizing Freud's psychoanalysis as a tool to analyze the literary works. In the body, the writer has reviewed the play therapy function of the poems of Kim So-wol in three aspects, which are women persona acting play, rhetoric play of double language of irony and paradox, and musical play of rhythm. The women persona, irony and paradox, and rhythm are typical characteristic of Kim So-wol's poem. In short, to sublimate agony in play, women persona might be proper than men persona. The double language as a rhetorical way to control the psychological fear of the poet was used as a fantastic door to get rid of the deficiency and frustration from the actual world that admitted only one among the two. In addition, rhythm is very suitable to the play that provides amusement and pleasure, which is the results of pursuing psychological sense of stability through the magical and fantastic world in the form of sound. Through these three characteristics, the writer expresses that the poet enjoyed poem composition as a play unconsciously, and by repeating the actual agony in the play, the poet enjoyed certain kinds of psychological liberation, that is, pleasure.
키워드열기/닫기 버튼
Kim so-wol, Poem Composition, literature therapy, play therapy, persona, rhetoric, paradox, Irony, double meaning, ambivalence, rhythm, J. Huizinga, S. Freud, psychoanalysis, castration complex, fantasy, pleasure, sublimation, equability, tention, unconsciousness
