초록 열기/닫기 버튼
The aims of this thesis is to study the origination of literature and production of writer, reader, and the literary world in mid 1920s. For this purpose, analysis and interpret of an editorial policy - feature articles, a serial plan, arrangement of photograph, in {chosunmundan}. The introduction to literature and presentation of foreign literature justify and originate their literature, their generation, their social position, in the means of national literature and characteristic of Global(universal) and chosun(distinctiveness). Self-representaion, meta-discourse - for ex opening of writer's private, photograph, description of writers, opening of meeting for a joint review- is conducive to production of writer, reader, and the literary world
The aims of this thesis is to study the origination of literature and production of writer, reader, and the literary world in mid 1920s. For this purpose, analysis and interpret of an editorial policy - feature articles, a serial plan, arrangement of photograph, in {chosunmundan}. The introduction to literature and presentation of foreign literature justify and originate their literature, their generation, their social position, in the means of national literature and characteristic of Global(universal) and chosun(distinctiveness). Self-representaion, meta-discourse - for ex opening of writer's private, photograph, description of writers, opening of meeting for a joint review- is conducive to production of writer, reader, and the literary world
키워드열기/닫기 버튼
mid 1920s, self-representaion, meta-discourse national literature, production of writer, production of reader, literary world, visual object.
