초록 열기/닫기 버튼
Through the supposition that Na Hyeseok's style of painting affected her literary works, this paper first observes what Na Hyeseok's style of paintings is. While studying in Paris, Na hyeseok went from being an impressionist painter to being a fauvist and expressionist painter. Focusing on the fact of this change, impressionistic and expressionistic points reflected her written works were examined. As a result, impressionistic tendencies reflected in the poems [Gwang (光)](Light) and [Nen mul] (A stream) were confirmed, also in the essay [Wonmangsuron pom pam] (A reproachful night in spring), expressionistic tendencies were confirmed. As a painter and a writer at the same time, she formed a relationship between her paintings and literature that transcended the differences in formative and lignuistic arts. I think it formed an intertextuality. In short, it's a very natural thing that the textualities transitted and influenced each other consciously or unconciously. Na hyeseok's style of painting changed from impressionist to expressionist. It's natural that impressionistic elements and expressionistic elements appeared in her literary works. In the future, Na hyeseok's art and literary intertextuality should be further researched. This script in focusing on discovering these possibilities could find their significance.
키워드열기/닫기 버튼
Na Hyeseok, intertextuality, expressionism, impressionism, style of painting
