In this study, I considered the dynamic structure of internal order, Poet's consciousness and his view of the world, and the symbolic background and motive of esthetic unity that he pursued in the poetry of Park Yong-rae. The structure of 「Wolhun」, repeatedly expanding time and space, made the universal reproduction. It showed the united view of universe that was a feature of Korea's thoughts. In such a structure, all lives of universe accomplished universal unity, connecting mutually. Morphologically or meaningfully it was the fundamental thought of refined taste of Jeophagunsang where there was no discrimination between a lifeless thing and a living thing, and among human, nature, and universe, and it was the spirit of awe of life and esthetics of life where there was no classification between principal and auxiliary. Personally the symbol of 'crying' showed in his poem was the personal expression of Poet's inner passion. Collectively objectivity was to wish for the fundamental recovery and unity of life and it meant the Park Yong-rae's esthetic accomplishment. The approach to microscopic nature showed in poem of Park Yong-rae was to expand universal imagination freely in time and space and to view nature dynamically with awe of life and passion for pursuit of value and beauty rather than to feel pity for poverty, helpless, folk lyricism, alienated things, and disappearing things.

In this study, I considered the dynamic structure of internal order, Poet's consciousness and his view of the world, and the symbolic background and motive of esthetic unity that he pursued in the poetry of Park Yong-rae. The structure of 「Wolhun」, repeatedly expanding time and space, made the universal reproduction. It showed the united view of universe that was a feature of Korea's thoughts. In such a structure, all lives of universe accomplished universal unity, connecting mutually. Morphologically or meaningfully it was the fundamental thought of refined taste of Jeophagunsang where there was no discrimination between a lifeless thing and a living thing, and among human, nature, and universe, and it was the spirit of awe of life and esthetics of life where there was no classification between principal and auxiliary. Personally the symbol of 'crying' showed in his poem was the personal expression of Poet's inner passion. Collectively objectivity was to wish for the fundamental recovery and unity of life and it meant the Park Yong-rae's esthetic accomplishment. The approach to microscopic nature showed in poem of Park Yong-rae was to expand universal imagination freely in time and space and to view nature dynamically with awe of life and passion for pursuit of value and beauty rather than to feel pity for poverty, helpless, folk lyricism, alienated things, and disappearing things.

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The poetry of Park Yong-rae Wolhun, Time and space, The life esthetic, The symbol of ‘crying’