This study analyse the Noma manri mainly concerns the changes of reality in the text. And the study examines closely interior consciousness of Kim Sa-Ryang who changed from a writer to a revolutionist. Kim Sa-Ryang wrote this work three times. So there are three types version of Noma-manri. Firstly, YeonAn Mangmyeonggi-Sanchaegi(Exile report to YeonAn) was published as subhead 『Jongi sodong(Paper Disturbance)』 and Dambaewa Bul(Cigarette and Fire). These works are constructed as episode. I examined literary self-conscious that is continuous with 'paper' and private desire that is continuous with 'cigarette/fire' in this chapter. This way shows interior consciousness of Kim Sa-Ryang who changed from a writer to a revolutionist. Second, Noma manri-YeonAn Mangmyeonggi is the work that is reported full-scale itinerary over episode construction. Kim Sa-Ryang rewroted lively the itinerary from the morning that he left his homeland in. I considered 'the things that he didn't want to expose' through direction of narration. Third, Noma manri is a complete text that include itinerary from PyungYang to NamJang town, TaeHang Mountain where is anti-Japan's base region. I studied that 'the things that he didn't want to expose' is retrenched and deleted on purpose. This fact shows that social-ego overwhelm private desire. The course of text as YeonAn Mangmyeonggi-Sanchaegi → Noma manri-YeonAn Mangmyeonggi → Noma manri indicates writer consciousness that retains past memory and distance. This expresses writer's private desire that is caused by detailed tension from 'something to want to tell' to 'something not to want to tell'. This means that social-ego overcomes private-ego.

This study analyse the Noma manri mainly concerns the changes of reality in the text. And the study examines closely interior consciousness of Kim Sa-Ryang who changed from a writer to a revolutionist. Kim Sa-Ryang wrote this work three times. So there are three types version of Noma-manri. Firstly, YeonAn Mangmyeonggi-Sanchaegi(Exile report to YeonAn) was published as subhead 『Jongi sodong(Paper Disturbance)』 and Dambaewa Bul(Cigarette and Fire). These works are constructed as episode. I examined literary self-conscious that is continuous with 'paper' and private desire that is continuous with 'cigarette/fire' in this chapter. This way shows interior consciousness of Kim Sa-Ryang who changed from a writer to a revolutionist. Second, Noma manri-YeonAn Mangmyeonggi is the work that is reported full-scale itinerary over episode construction. Kim Sa-Ryang rewroted lively the itinerary from the morning that he left his homeland in. I considered 'the things that he didn't want to expose' through direction of narration. Third, Noma manri is a complete text that include itinerary from PyungYang to NamJang town, TaeHang Mountain where is anti-Japan's base region. I studied that 'the things that he didn't want to expose' is retrenched and deleted on purpose. This fact shows that social-ego overwhelm private desire. The course of text as YeonAn Mangmyeonggi-Sanchaegi → Noma manri-YeonAn Mangmyeonggi → Noma manri indicates writer consciousness that retains past memory and distance. This expresses writer's private desire that is caused by detailed tension from 'something to want to tell' to 'something not to want to tell'. This means that social-ego overcomes private-ego.