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The Sokak article in “Akji” of Goryeosa was illustrated being aware of the Dangak article, which was a result that Goryeo Sokak was changed by an influence of Dangak. The similar number of the Goryeo Sokak article was registered as much as that of Jungjae’s Changsha and Gasa in response to Daegok and Sa of Dangak. Sokak Jungjae was recorded in Holgi like Daegok of Dangak was illustrated as Mudoholgi, and such a trace could be found in a part of Sokak because melody and lyrics of Dangak had various corresponding aspects. Some contents of Dangak and Sokak had ‘political’ songs like blessing because they were both songs of ‘royal court.’ As such, it was confirmed that the Sokak and Dangak articles in Akji of Goryeosa kept close relations between them. Even though Goryeo Sokak was changed by influence of Dangak, independent character of Goryeo could be noticed. The first one is that different from Dangak Gasa, Goryeo Sokak had a free poetic form and chorus·refrain phrase. A song, even a short term one, did not have the same poetic form, and there was no song with same verse in the case of extended style. And, chorus·refrain phrase which played a role to heighten the interest was the formal characteristics retained by Sokak. This was the result of efficient utilization of our mother language [or poetic grammar] and folk songs subject to flexibility of Sokak. The second one is there were many songs forming balance between lord and vassal as well as mutual tension rather than only singing one-sided blessing to the lord. This shows feast songs did not limited to the objective of momentary entertainment but had characteristics of court literature for continuous savor. Like this, Goryeo Sokak maintained its own identity without leaning to Dangak; and, Goryeo and Joseon maximized the effective value from the diplomatic and cultural aspect utilizing Dangak fully.
